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            Sarit Shani Hay Installs Playful Landscape of

                   Soft Creatures For New Exhibition

                        at Design Museum Holon


                                     Holon, Israel


              srael has reopened after two months   When  designing  her creations,  which
              of lockdown, and with it, a new   are highly architectural while also playful
           Iexhibition at the Design Museum   and comforting, Shani Hay worked off
           Holon that includes a site-specific   these architectural elements. Arched
           installation by multidisciplinary designer   forms resemble secluded bays and steep
           Sarit Shani Hay, who specialises in child-  cliffs, and minimalistic wildlife creatures
           centric design.                    are nestled around them. The installation’s
             For the exhibit Black Box, Shani Hay   atmosphere and the colours of the designs
           has created an imaginary landscape with   change, depending on the time of day,
           cushioned volumes that evoke the rocky   from bright morning light to darker tones
           coastlines that sea lions, seals, bears, and   as the sun begins to set.
           other creatures call home.          In her work, Shani Hay explores the
             The  pieces,  with  their  blue  and taupe   relationships between the wild landscapes
           tones, communicate the bold curves   and the animals. “Animals occupy a
           of the museum building itself that was   central place in Sarit Shani Hay’s work,”
           completed in 2010 by architect Ron Arad   says Maya Dvash, curator at Design
           and showcases a dramatic exterior in red   Museum Holon. “She uses them to
           and orange stripes, while its underside,   construct a  private, imaginary jungle
           as seen from a glass wall in the room of   motivated by an empathic human gaze
           Shani Hay’s installation, is painted in   and a desire to overcome archaic fears.
           cooler shades.




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