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Ca’ Gioia: Lapitec’s


                    central role in a villa

                    paying tribute to the


                                Palladian style



                                                Veneto, Italy


                rom  the  ventilated  facades  to  the  coverings  and  floors,  and
                from the  bathroom and bath to  the kitchen and decorative
           Faccessories. In this elegantly functional villa, the beauty of
           sintered stone speaks for itself.
           The entrance to the Ca’ Gioia, delimited by a long glass covering,
           perfectly frames one of the magnificent 16th century works by
           architect Andrea Palladio, as well as the first foothills of the Venetian
           Prealps. Between these two buildings - on the one hand the famous
           Villa Angarano, a UNESCO World Heritage Site built in Bassano del
           Grappa in 1556, on the other the house designed by Francesco Pascali
           - lies only a large park, which separates them while permitting a
           continuous dialogue. Both pursue the same logic in their relationship
           with  the territory and interpret the  two paradigms of Veneto
           residences: encapsulating both the theme of the urban villa, and the
           country estate opening onto the surrounding landscape.
           Completed in early 2021, Ca’ Gioia is set on gently sloping ground,
           planted with olives and other fruit trees, and developed on an area
           of 8,000 m2. Constructed in an L-shape, which retraces the lines of
           a pre-existing agricultural building, the new residential structure
           interprets the guiding principles of Palladian architecture in a
           contemporary  key.  The  long,  lower  building  with  a  pitched  roof,
           facing west and set at a slightly higher level, is connected to the main
           two-storey building, recreating, in the style of the great Renaissance
           master himself, a wonderful balance between monumental forms and
           simplicity. The volumes here are pure and meticulously geometric,
           characterised by a very precise rapport between empty and filled
           spaces. On the ground floor the rooms are more open and flowing,
           with large windows creating a direct connection with the large garden.


           Inside, the two-storey section houses the entrance space with a living
           and dining area, the kitchen and a study, while on the upper floor the
           staircase in white painted metal and oak leads to the sleeping area and
           its three bedrooms, four bathrooms and a large walk-in closet serving
           the rooms. The single-storey section, meanwhile, is home to garages,
           a guest room with bathroom, a studio apartment for staff and a large
           open space, whose function can be adapted depending on the needs
           of the family. Light colours have been chosen for the homogeneous
           interior finishes, increasing the light flooding into the environment:
           the flooring is in large slabs of Lapitec in the Bianco Crema shade
           and the Vesuvio finish, while natural wooden beams and panelling
           outline the ceiling and some of the internal walls.

           The classical rigour of Ca’ Gioia, the clean and linear profiles of its
           external casing and internal areas, are the result of a long design
           process that saw the owner and architect Francesco Pascali equally
           involved. “We worked for almost four years on the design of this




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