Page 46 - Designing Ways 247
P. 46

ON THE
               TERRACE

























                                                                                                          Detail
                                                                                             Photo credit: Dane Alonso


                                        The Hill in Front of the Glen


                                                    Morelia, Mexico


                                                                                     he inspiration behind this project
                                                                                     is derived from listening carefully
                                                                                Tto the subtle murmurs and
                                                                                whispers of environments like this, as well
                                                                                as the client’s search for protection and
                                                                                shelter.
                                                                                  How can one feel protected? What can
                                                                                be done when one feels vulnerable? This
                                                                                question was accompanied by an image,
                                                                                or perhaps a memory: a frightened child
                                                                                covering himself with a light bed sheet as
                                                                                he peeks out to make sure he can see what
                                                                                is going on around him.
                                                                                  Pulling a bed sheet over ourselves is an
                                                                                elemental act that alludes to the most basic
                                                                                part of the self; a bed sheet hides, protects,
                                                                                wraps, and creates a space beneath it that
                                                                                is so safe and intimate as to keep away any
                                                                                spirit, ghost, or demon that may be in the
                                                                                surrounds of the room.
                                                                                  At the same time, this project generates
                                                                                a continuity in the beautiful living surface
                                                                                around the land, forming a new hill in a
                                                                                place already surrounded by many.
                                                                                  The architecture is like an accent on
                                                                                the words of a poem, like a comma or
                                                                                a question mark, but never the actual
                                                                                poem itself. The poem is already written
                                                                                by the pines, the oaks, the sweet acacia,
                                                                                the fireflies, the road, the fence, the
                                                                                neighbour’s well, the earth, the orchard,
                                                                                and the nightingale.
                                                                                  Four concrete walls contribute accents
                                                                 South façade   to the poem, surprisingly emerging from
                                                        Photo credit: Dane Alonso



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