Page 63 - Designing Ways 250

In addition to the new section ALT, the
highly anticipated signature line-up Everard Read , Daniel Naude, Study For Portrait 1.
Homing Pigeon, 2016.
includes: C-PRINT, 100 X 125cm
• Tomorrows/Todays guest curated by
Nkule Mabaso and Luigi Fassi
• Post Modern guest curated by João
Ferreira
• Cultural Platforms
• Magazines and Books
• Editions
• SOLO

SOLO seeks to explore the artistic
practices of artists working locally
and abroad, through curated solo
presentations. In its fourth iteration,
this section will explore how artists have
reacted to periods of isolation, as well as
provide dialogue for conversations about
the effect that exchange and collaboration
has in the artist’s production.
This year’s programme will feature work
from artists including Luyanda Zindela account with immediacy, and in sync play in the art market at large and are
(South Africa) of SMAC Gallery in South with the Investec Cape Town Art Fair poised to prepare our collector base and
Africa, Thebe Phetogo (Botswana) of office, championing the theme of patrons for the implications of these
Guns and Rain in South Africa, Brett “Connect Through Art from Africa and advancements, which serve their long-
Seiler (Zimbabwe) of Everard Read in the World”. term interests, ” says Vincenti.
South Africa, Osvaldo Ferreira (Angola) Investec Cape Town Art Fair continues The ninth edition of Investec Cape Town
of THIS IS NOT A WHITE CUBE in to expand beyond the physical realm Art Fair will take place from Friday 18 to
Angola. (and within digital and online formats). Sunday 20 February 2022 at Cape Town
The 2022 exhibitors will challenge International Convention Centre (CTICC)
The Digital Eye notions of identity and what it means and via the online platform Artshell.
The digital edition will be available to be free through painting, sculpture, Tickets can be purchased via the
for online viewing via Artshell, allowing drawing, mixed media, and photography. Webticket. dw
for autonomous, independent gallery/ “As technology continues to evolve, we
exhibitor access directly via an Artshell understand the role it will increasingly www.investeccapetownartfair.co.za

dw • Issue 250 63