Page 82 - Designing Ways 255
P. 82

View of the entrance and VIP section



                   Iru Izakaya: When                                  Bar shelving


                         Tradition Meets


                                     Modernity




                                         Brossard, Canada


               eeking to develop a space conducive to the discovery of Japanese
               cuisine and the izakaya atmosphere, Chef Frédéric Dufort
           Sand his team entrusted the design of the spaces for their new
           culinary project to Cléo Katcho Design Architectural.

           A new Japanese pub concept
           Having immersed themselves in the history of izakayas - small
           Japanese pubs where small plate sharing is typical - the design team
           opted for a conceptual approach that would juxtapose the modernity
           of the place with its roots. This dichotomy between the izakayas' long
           culture of tradition and the restaurant's modernity set the tone for a
           series of design interventions marked by contrasts.

           The concept was strongly inspired by the post-war alleyways where
           the izakayas were established, and by their dark and raw side. This
           influence is particularly noticeable in the material choices and
           lighting design. The design was crafted to contrast both soft and hard,
           warm and cold, rudimentary and sophisticated, in order to create
           the immersive and sensory experience the team set out to achieve.
           The  numerous  lighting  interventions  in  this  project  have  largely
           contributed to the achievement of this objective.

           A plurality of experiences within the same space
           The space, which already had some architectural components that the
           team had to work with, was planned so that there would be distinct
           sections. By using different types of lighting and seating, the team
           was able to create several spatial transitions within a large open space.

           The first section, identifiable by a series of alcoves, focuses on games,
           represented by the blue neon symbols on the wall and influential in



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