Page 76 - Designing Ways 289
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The ancient city area of Suzhou is a large area containing a network
of alleys which form a series of vibrant public spaces where people
gather to chat and cool off in the summer. It fosters an open and
inclusive atmosphere. Many elderly residents are eager to strike up
conversations about daily life, or share captivating stories of the past,
and neighbours often lend a helping hand to one another. As you
stroll through the streets and alleys for breakfast in the morning,
the interplay of light and shadow creates a dynamic experience.
Living here allows you to see others and be seen in return. This close
connection to daily collective life enriches our understanding of
ourselves and others, as well as our appreciation of design.
The house in the garden
Seen from the entrance, the small courtyard resembles a miniature
version of a typical Jiangnan Garden, with the Moon Cave Gate
reflecting the lush plants surrounding it. Suzhou gardens are known
for their emphasis on framing scenery; each door and window acts as
a frame that allows plants to grow freely within the space. Designers
aim for minimal intervention with this design approach.
As guests venture deeper into the garden, they will discover a larger
hidden courtyard at the end. During the initial stages of construction,
the earth was gathered and used to form subtle gradations, and the
water was diverted to create a pond. This carefully designed landscape
exudes a rich natural ambiance. Different lights reflecting on the
water’s surface infuse the area with various energies. A robust pine
tree stands firmly against the wall amidst the surrounding rocks.
Designer Sun Yuanliang has transformed the classical pavilion in
the corner into a modern steel structure. While enjoying tea and
the scenery, one can appreciate a rustic charm that is elegant yet
contemporary. Visitors can also get a close-up view of the plants and
flowers and even have the opportunity to interact with nearby fish.
Because the small courtyard is next to a slightly taller building,
designer Sun Yuanliang constructed several grilles to prevent the
building from creating a sense of oppression in the space. These
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