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the details, and soft tactile surfaces such as velvet. They also feature
                                                             a play of material textures that lend three-dimensionality to the soft
                                                             furnishings. Some of the furniture has been salvaged, such as the
                                                             restored chairs typical of the Tyrolean tradition, but most of the
                                                             pieces have been made to the architects' design: the wardrobes and
                                                             partition panels, velvet bedheads with brushed larch sticks and desks,
                                                             and the panelling behind the beds in minimal elegant strips of wood.

                                                             A careful study of colour has resulted in a palette inspired by the
                                                             colours of the autumn woods and mountains: from the green of shiny
                                                             laminate to the brown tones diminished in the red of the brushed
                                                             larch, or the warmer darker burnt larch. Artistic incursions can also
                                                             be found in some of the rooms, such as Ingrid Hora's 'Wall Bars',
                                                             a  large  work  that  offers  guests  new  perspectives  and  encourages
                                                             them to give free rein to their ideas; or 'Thoughts and Planets', an
                                                             installation by the renowned artist Esther Stocker: ten sculptures that
                                                             seem to float on the ceiling vault and dissolve fixed points thanks to
                                                             broken geometries.

                                                             Where the lighting was concerned, Vudafieri-Saverino Partners
                                                             wanted to create a cosy atmosphere with soft diffuse light from floor
                                                             and wall lamps. In the communal areas, suspension lamps have been
                                                             chosen instead, such as the striking chandelier in the breakfast room,
                                                             where 'Expect the best', a work by visual artist Petra Polli, also hangs.

                                                             The art collection
                                                             Two curators are responsible for the Lasserhaus art project: Stefanie
                                                             Prieth, for the contemporary art works, and Rose Bourdon, for the
                                                             family collection. These artistic interventions are only the start of
                                                             cultural activity that will branch out on several levels, from artist
                                                             residencies to collaboration with other cultural institutions and the
                                                             systematic growth of an art collection.

                                                             Central to the contemporary art curatorial project was the concept
                                                             of connection and openness: considering art itself as an instrument
                                                             of  relationship,  with  their  works  the  artists  have  transformed  the









































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