Page 59 - Designing Ways 279

of contemporary ceramics that are both
rich and unique. Using an algorithmic
approach to 3D pattern design, certain
manufacturing constraints—maximum
overhang, width, height and depth,
shrinkage, and internal support
structure—were taken into account when
the geometry of the tiles was generated.
Because the tiles were 3D printed, applying
variations to their shapes allowed for
poetic ways of ‘painting with shapes’. This
is done by applying a transparent blue
runny glaze that creates a light blue colour
on the convex portions of the tiles (the
hills), while allowing for deep blue glaze
pools in the concave (valley) areas of the
tiles, creating smooth transitions between
the hues of blue. The deep blue colour
reflects the connection to Delft Blue
porcelain and the surrounding canals,
and it provides a pleasing contrast to the
earth-toned brickwork of the building.
Combining this all together, the project
embodies the unique identity of Delft in a
contemporary way, referring to its history
with its algorithmically-designed, nature-
inspired patterns in blue, and referring to
the Delft of today as the city of knowledge
using cutting-edge design and 3D printing
technology.

The approach of Studio RAP
Studio RAP aspires to reclaim the
architect's significant role in the built
environment's design and realisation
process. To demonstrate that a more
prominent role in the design and
realisation of a building process could

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