Page 70 - Designing Ways 247
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ALL ABOUT
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                                                                      Nicole Banowetz (Denver, United States), “An Adaptive
                                                                                   Moment”, 2021
                                                                        A strange specimen overlooks the Bassin Louise.
                                                                       The inflatable installation reflects and magnifies the
                                                                      anatomical details of the rotifers, microscopic creatures
                                                                      that are able to dry out and be swept up by the wind to
                                                                       escape their predators. As they travel, rotifers absorb
                                                                      the DNA of nearby species and recombine it with their
                                                                      own, ensuring their survival. This exceptional creature
                                                                      with its surreal shape has a great deal to teach us about
                                                                      the transformative virtues of adaptability and resilience
                                                                                in the face of adversity.











                                                                    Valérie Potvin (Quebec City, Quebec), “The Sculptor
                                                                                Herself”, 2021
                                                                     A towering figure rises out of the alleyway, with the
                                                                    sculptor’s hammer in hand and the aspect of a heroine
                                                                    brandishing arms. The figure depicted in this playfully
                                                                     self-referential work is the sculptor herself, thereby
                                                                  affirming Valérie Potvin’s own status as an artist. Stoic and
                                                                   unshakeable on its plinth, the alabaster monument is also
                                                                  in homage to the strength of women and their incontestable
                                                                              position in public art.
                                                                    Made possible by the support of the Conseil des arts du
                                                                                  Canada.









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