Page 88 - Designing Ways 254
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Subtle and dynamic tonality provides a sense of mass and substance
           to the structure, and the glass façade provides an enormous infusion
           of light into the  building.  The frit pattern also  serves  to control
           thermal heat gain inside of the building, which meets the firm’s LEED
           Gold sustainability objectives.

           The exterior façade’s infusion of light dynamically highlights a large
           internal atrium, carved diagonally through the centre of the building
           to create two volumes. The firm oriented the cut based on the site’s
           previously existing pedestrian flow, moving diagonally between the
           Place des Arts Metro station and Place des Festivals. To delineate
           the cut, and to make the building’s mark on the skyline, a bright red
           external fold contrasts against the clean glass exterior. The colour was
           chosen as an echo of the cultural branding materials of the Quartier
           des Spectacles, and serves to distinguish Îlot Balmoral from the
           functions of more traditional office towers in the district.

           Anchoring the creative economy
           As a nod to Îlot Balmoral’s importance to Montreal’s creative scene,
           the National Film Board of Canada signed on as the building’s
           core tenant. Celebrating 50 years of film excellence, the Canadian
           institution was looking to modernise and transform their facilities,
           and the move included the reinstallation of the iconic NFB logo in the
           new lobby, which is a symbol of Canadian design history.

           “The NFB signing was proof of concept for us that architecture can
           redeploy and reprogramme how neighbourhoods are defined, not
           only on a visual or physical level, but also in its role as a centre of
           cohabitation,” says Provencher. “Several other cultural organisations
           have since signed leases, and Îlot Balmoral is becoming the creative
           hub that we envisioned.”

           Without requiring any significant changes to the architecture,
           Provencher_Roy redesigned four floors of Îlot Balmoral for the NFB
           in  order  to  accommodate  their  technical  requirements,  including
           editing rooms and the hosting of state-of-the-art equipment. They
           also built a brightly lit white staircase leading up to the NFB offices,
           located directly under the red canopy of the building’s main entrance.



































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