Page 39 - Designing Ways 278

that I am reading their DNA,” comments
Lorena D'Ilio, who then proceeds by
transferring the shots into the digital
scenario, stylising them because “my
great fear is that one day all this beauty
may disappear and from this suggestion
I have created correlations of species,
extinct and decomposed flowers that,
through digitalisation mutate and take on
other forms; they multiply, they modify
themselves in an endless process. Here,
the delicate contour lines of the petals
emerge as light marks, redrawn, which,
in the last step, are made personal thanks
to the introduction of colour, now full,

dw • Issue 278 39